Green Books Campaign: Medicine Trails by Mavis McCovey

This review is part of the Green Books campaign. Today 100 bloggers are reviewing 100 great books printed in an environmentally friendly way. Our goal is to encourage publishers to get greener and readers to take the environment into consideration when purchasing books. This campaign is organized by Eco-Libris, a a green company working to green up the book industry by promoting the adoption of green practices, balancing out books by planting trees, and supporting green books. A full list of participating blogs and links to their reviews is available on Eco-Libris website.

This memoir tells the story of Mavis McCovey, a Karuk medicine woman and health care advocate. It also tells us much more than the story of McCovey offering broad discussion of her life and land. The result is a fascinating look at Native American spirituality, community, life and labor in northwestern California. Stretching from the early-nineteenth century, we learn the long and broad history of McCovey's family. As the subtitle suggests, McCovey is a woman who has lived in many worlds: through her family, in which her ancestors married and raised families with European partners, to her own marriage, in which she relocated to her husband's Yurok community. Perhaps most importantly, McCovey has also occupied the world of the medicine woman, a role for which she was singled out in childhood, and trained from a young age. By no account has Mavis McCovey had an easy life, physically or emotionally. After losing her own parents at age six, McCovey also lost two of her five children. Work is a constant theme in this memoir, and we see all of the residents of McCovey's community working, and working hard, almost constantly. As a spiritual leader, McCovey has hardly been absent from this labor, and her spiritual leadership is well-grounded in a hardworking community. The tremendous wealth of information on the process of becoming a medicine woman is surely one of this book's strengths. As a woman who lives in many worlds, McCovey does an excellent job of highlighting for the reader the spiritual differences among the communities in which she has lived, showcasing for the reader the significant variety in Native American religious practices, even in close geographic proximity. This book will likewise be valuable to those interested in women's studies, as McCovey reflects on her role as a medicine woman, and as a wife, daughter, and mother in the Karuk and Yurok communities. This text is narrated by McCovey, literally, in that it was told to the anthropologist John Salter (McCovey's co-author), who offered annotations. Salter has presented McCovey's words as they were told to him. This presents certain benefits, clearly in that we hear directly and mostly unmediated from McCovey. It also presents challenges. As a spoken history, the style of narration is somewhat different from what most readers may be accustomed to- this is a book that sometimes begs to be read out loud, to offer full appreciation of the style. In sum, this is a very interesting book, which offers information not necessarily available elsewhere. Blurbers described this book as a "definitive text," and I would agree. I would use this book in the classroom without hesitation. McCovey's story has taught me a great deal.

Review: Murder at Hazelmoor

A murder in a tiny Dartmoor village in the dead of winter sets the stage for this classic Christie whodunit. Several had a motive, few had an opportunity. The most likely suspect is quickly imprisoned, but his fiance remains unsatisfied with the law's conclusions. Determined to clear James Pearson's name, Emily Trefusis sets off with intrepid newspaper reporter Charles Enderby to seek out the circumstances of Major Treveylan's murder. As with all of Christie's books, we get plenty of atmosphere as the plot unfolds in the Dartmoor countryside. Here we see the deepest depths of winter. This novel has all of the elements of a juicy, quick read. The plot and suspense build as we follow Emily on her quest for answers. This is classic Christie- a bit of brain-fluff, for sure, but engaging and well-written.

Agatha Christie, Murder at Hazelmoor (Putnam, 1987) ISBN: 0396090133

Review: Easy to Kill

It's easy to kill if no one suspects you, and in the situation Luke Fitzwilliam has wandered into, that seems to be the case. A series of deaths has mostly gone unnoticed-- unfortunate accidents, they seemed, but not to everyone. Lavinia Fullerton has suspicions and premonitions, but she is run down on her way to alert the authorities. After hearing Lavinia's story retired police office Luke Fitzwilliam decides to do a bit of investigating of his own. He finds a small town with a variety of eccentricities. In some ways, this novel follows the typical Christie pattern: murder, a variety of suspects, and an unsuspected conclusion. This particular Christie has more of an element of danger, however, which adds excitement. We actually get to see some action, not just the detective revealing his or her conclusions at the end. Christie has also been successful in underlining the fact that apparently, it is remarkably easy to kill (or at least it was in the days before DNA evidence and whatnot.)

Agatha Christie, Easy to Kill (Pocket Books, 1945) ISBN: 0671811282

Review: Jewels

I must admit, I am captivated by jewels: their shine, their brilliance, their color. Thus, I was excited to read a history of jewels. Finlay's is a social history, examining how human beings have constructed the value of brilliant minerals. This is not a comprehensive study. Finlay has chosen a series of case studies, the research for which took her all over the globe, from Australia, to Russia, to Sri Lanka, to the American southwest. This is quite an interesting book, and it certainly does show that these stones that human beings so treasure have no inherent value. This is evident in the changing fortunes of so many stones, which have variously fallen in and out of favor. It also becomes clear through the course of Finlay's work, that stones have, and do, cause a tremendous amount of human suffering. Indeed, in the long history of gems there has been much more misery than fortune. Finlay's history is clearly narrative in nature. She is concerned with telling some of the most interesting stories behind the jewels. It is not a book that analyzes the larger social forces behind many of these changes. Still, this is an interesting book. Finlay gained access to many places most people cannot. She travelled to some of the most unforgiving parts of the world in search of the people who mine, cut, and sell valuable stones. Any jewelry-lover will likely find this book engaging.

Victoria Finlay, Jewels: A Secret History (Random House, 2007), ISBN: 0345466950

Review: Dark Places

Libby Day, the sole survivor of a murderous massacre that killed her family, has spent the rest of her life trying to avoid that night. Her brother is imprisoned for the crime. Libby has become a dysfunctional adult, and having exhausted her trust fund, finds herself in need of money. Her rather unorthodox solution is to investigate the night of the murders funded by the Kill Club, a group of crime junkies. In the process Libby is brought into contact with all the horrors of that fateful January night. In the process Libby finds herself reevaluating everything she thought she knew about the crime. She also digs deeper than she ever anticipated and finds herself coming too close to a murderer still on the loose. This was a gripping story. It kept me invested from start to finish. The mix of thriller and literary fiction was refreshing- I like a good thriller, but I also want good writing, and this book definitely has both. Flynn offers us plot development, fully rounded characters, and enough suspense to keep the reader on edge.

Gillian Flynn, Dark Places, (Shaye Areheart, 2009) ISBN: 0307341569

Review: Red Pottage

This 1899 novel, the story of friends Rachel West and Hester Gresley, provides biting satire of the gender and class conventions that governed late-Victorian England. Set against a trio of painful love stories, Rachel and Hester learn the inconveniences and heartbreak of love. Rachel loves an adulterer, and Hester, a writer, loves her new book, whose manuscript consumes all of her time and energy. These pursuits are set against particular Victorian settings: Hester in the vicarage home of her self-satisfied, traditional, high-church brother, and Rachel in the stately homes of rural Middleshire's minor gentry. Both friends feel acutely the emotional and physical restrictions of their situation. None are able to understand Rachel and Hester's friendship, a deep, emotional attachment formed outside the boundaries of heterosexual marriage. Guiding the plot is what is perhaps one of the most ridiculous displays of masculine bravado: a suicide pact between the two lovers of Lady Newhaven. Cholmondeley is biting in her criticism of Victorian society. Somewhat different from other Victorian satirists, she relies upon plot rather than explanation. Cholmondeley doesn't tell us why we should see absurdity in a particular situation; she relies on plot to do that. Written at the very end of the Victorian era, we start to see the seeds of change in gender relations. The very biting quality of Cholmondeley's novel suggests coming change.

Mary Cholmondeley, Red Pottage, (Penguin, 1986) ISBN: 1406845612

Review: Velva Jean Learns to Drive

In the mountains of western North Carolina, in the 1930s, Velva Jean Hart lives with her extended family in a community rich in folk tradition and seemingly isolated from the outside world. Velva Jean Dreams of one day going to Nashville to sing at the Grand Ole Opry. But Velva Jean's community is not one that people tend to leave. Velva Jean is limited by her age and family situation. With her mother dead and father run off, she is left to the restrictions of her older sister. With age and marriage Velva Jean's dreams of Nashville fade, but she gains a new desire- to learn to drive. This novel follows Velva Jean from childhood into young adulthood. At every turn it seems that Velva Jean is forced to push her dreams aside. Her story is set in Appalachia during the Depression, and we also see the first signs of outside intrusion into these previously cloistered communities. The Blue Ridge Parkway is about to be cut through the mountains. Even if it does not cut through their village, the new road will affect the lives of all around it. This was an engaging book, with a complex plot line and characters. A wonderful read.

Jennifer Niven, Velva Jean Learns to Drive (Plume, 2009) ISBN: 0452289459

Review: The Visibles

This novel examines a girl's attempts to come to terms with parental abandonment. By thirteen Summer Davis's mother had run off without a trace, and her father was descending into serious mental illness. Summer quickly becomes the adult in a family spiralling out of control. There's not much that I found surprising or unusual about the plot of this book. It is, in fact, quite predictable. Summer's troubled parents shape ways in which she approaches school, career, and relationships. The plot proceeds just as one might expect. The twist Shepard adds to this particular story is Summer's fascination with DNA. She is first introduced to the concept soon after her mother leaves, and Summer spends much of her young adult life pondering the nature vs. nurture debate in light of her particular situation. I found this theme to be contrived, however, as it is only loosely woven into the narrative, and it added little value and effect to the plot. While I found Shepard to be a good writer, I wished the book had been more imaginative.

Sara Shepard, The Visibles (Free Press, 2009) ISBN: 1416597360

Review: Olive Kitteredge

What a character- Olive Kitteredge is loud, bossy, and decisive. In her old age she swears and complains. Strong-headed, but with her own sort of compassion, Oliver is an institution in her small Maine town. This novel, told in a series of stories, details the lives of Olive, her family, and those around her in Crosby, Maine. The great strength in this book is in its central character. I've never seen another character quite like Olive. From the blurb on the back I was expecting a sort of stock, cantankerous old lady, but that's not Olive. It's hard not to love and loathe Olive at the same time. Through this book we see how the exigencies of life can chip away at as solid a vessel as Olive Kitteredge, and that's both disturbing and reassuring at the same time.

Elizabeth Strout, Olive Kitteredge, (Random House, 2008) ISBN: 0812971833

Review: The Embers

Some dysfunctional families draw readers in, and make them engaged in the story. Then there are the literary dysfunctional families who are simply annoying. The Aschers, the focus of Bass's novel, are decidedly in the latter category. Throughout the book I was struck by what a bunch of miserable, negative, self-absorbed people the Aschers seemed to be. Basically, this is a book about self-centered, neurotic people who experience tragedy, which in turn makes them more self-centered and miserable. A big part of the problem is that this book is longer than it needs to be. One simply gets sick of the Aschers' navel-gazing. The book seemed repetitive, with the same sentiments repeated. If the book had been cut down by a third, it would likely have been stronger. This is not a book based upon plot, rather, it is meant to be an investigation of the interior life of a family. The problem is, it's very difficult to pull that off with characters such as these, and in the absence of plot, the reader is left with little else.

Hyatt Bass, The Embers (Henry Holt, 2009) ISBN: 0805089942

Review: Lucky Girl

Mei-Ling Hopgood was adopted from Taiwan as a baby- this is her memoir of reconnecting with her birth family two decades later. Unlike many adoptees Hopgood never really wanted to know more about her birth family. She happily embraced the culture of the American Midwest, her adoptive parents, and her two brothers. As a young adult Hopgood discovered that her Chinese family had been looking for her. Unsure of what she was getting into, Hopgood dug deeper, and discovered she had a large family in Taiwan- birth parents, sisters, nieces, nephews, and a brother. And so she met her birth family. After an exciting honeymoon period, Hopgood was confronted with a whole host of uncomfortable questions she had never anticipated. Her birth mother's submissiveness, her birth father's clear preference for sons over daughters. Coming to terms with these things is the substance of Hopgood's memoir. A written record of nearly ten years spent working out the complicated relationship with her Chinese family, Hopgood has written an engaging tale. There are many good memoirs concerning adoption and immigration issues. I'm not certain that Hopgood's offers much above and beyond the others, but is certainly a strong choice for those who wish to read such a memoir. Both well-written and compelling.

Mei-Ling Hopgood, Lucky Girl (Algonquin, 2009) ISBN: 1565126009

Review: All Passion Spent

Lady Slane spent her entire life as a politician's wife, raising six children. In the wake of her husband's death she finally has time and space to attend to her own desires. At age eighty-eight Lady Slane chooses to move to her own home, and surround herself with persons of her own choosing. And what Lady Slane chooses to do is to reminisce about her life, from her marriage in 1860 to the present day. Lady Slane's children presume that their mother has descended into madness, but she holds her ground, refusing to become the doddering widow her children expect. In this novel we learn Lady Slane's history: her thwarted dreams of becoming an artist, her love for her husband, and the restrictions incumbent on Victorian political wives. The book culminates as Lady Slane faces an awakening of unexpected passion. This is a dark and contemplative novel, though there are elements of comedy as well. The Slane children all fit into comic stereotypes, and perform their allotted roles to the point of ridiculousness. These comic elements are necessary, they allow Lady Slane to be sensible, rather than cruel, in cutting herself off from her children at the end of her life. Lady Slane's long life spans the Victorian and Edwardian periods, and if the hallmark of the Victorian era was change, than Lady Slane is certainly a good model thereof. She lived through modernization, the growth of empire, and in her reflections we see the long span of her life.

Vita Sackville-West, All Passion Spent (The Dial Press, 1984) ISBN: 0385279760

Review: Children of My Heart

A novel of a young teacher in the depression-era prairies, Roy tells the stories of children from the desperately poor families of rural Manitoba. The stories are told by the protagonist, a young, unnamed teacher, who teaches at an isolated village school. Roy presents children heavily laden with the burdens of poverty, adult concerns, and adult responsibilities. It quickly becomes clear what a significant role a caring young teacher plays in the lives of these children. In many cases she is the only adult who has the luxury to treat her pupils as children. The protagonist retains youthful enthusiasm in the most trying of circumstances, until she is faced with a new kind of trial: a budding romance with a troubled teenage student. Mederic, the son of a distant father and an absent mother, is desperately in need of attention, and his young teacher is desperately in need of companionship. When she tries to reach Mederic's mind a clear affection develops between them, and this budding relationship offers few good solutions. Roy's novel is rife with sadness, but also with a sense of persistence. The desperate poverty of the 1930s immigrant prairie communities is brought into stark relief by Roy's prose; written in a lyrical style, she paints a dramatic picture.

Gabrielle Roy, Children of My Heart (McClelland and Stewart, 1979) ISBN: 0771075987

Review: Tide, Feather, Snow

In the late 1990s Miranda Weiss moved from the continental US to Homer, Alaska. This memoir chronicles Weiss's first two years in Alaska, her relationship to the land, her boyfriend, and the difficult decision of whether to stay in Alaska. Weiss had always been fascinated with Alaska, and she had worked in the wilderness before, in remote areas of national parks. But none of this prepared her for the realities of Alaska. In this memoir Weiss weaves together discussion of the natural wonders and dangers of Alaska along with her own experiences of her new life. The dramatic tides, salmon migrations, and persistent dark of winter all make for more interesting writing than one might expect of a memoir that is heavily focused on climate and weather conditions. For those of us in the lower forty-eight, some of the conditions in Alaska are likely shocking. Weiss knew more than a few people who lived without running water and indoor toilets by choice. Weiss had to ski a half-mile to and from her car in the dead of winter, donning a headlamp. Most of us can't imagine this sort of life- I surely could not. Weiss also discusses the attitudes and assumptions of Alaskans- putting high premiums on time resided in the state. Alaska has always had a reputation as the last frontier, and Weiss's memoir proves that it is just as susceptible to the sort of mythology that has characterized other American frontiers. Perhaps significant is the myth of self-sufficiency. Weiss notes that a desire for simpler lives and self-sufficiency has drawn many to Alaska, but Alaska also has more federal government involvement than just about any other state, likewise, the resettlement of Americans from other states in Alaska means that record amounts of supplies have to be flown in to the state. The contradictions are interesting, and Weiss is clearly attuned to them. It took me a few chapters to get into this book, but it ultimately drew me in. I knew very little of Alaska and I found Weiss's descriptions engaging. She does an excellent job of conveying the extremes and dangers that shape everyday life in Alaska.

Miranda Weiss, Tide, Feather, Snow: A Life in Alaska (Harper, 2009) ISBN: 0061710253

Review: The Blue Notebook

This is a deeply sad book, and an engrossing book too. The story of a child prostitute in Mumbai, Bartuk was sold into slavery by her father, and taken from her family's countryside home to Mumbai's red light district. On the 'Common Street' that becomes Bartuk's home, the children are kept in cages barely large enough for movement. They are given barely enough food to sustain life. Most horrifically, they are expected to have sex with a dozen or so men every night. It is difficult to overstate the horrors of the Common Street, and Bartuk escapes the horrors of her life by writing in her diary, a blue notebook she must keep hidden. It would be easy to become engrossed in this book merely because of the shock value. Certainly the conditions are horrific, more so because Bartuk and her friends are composite characters based on children Levine met during travels in Mumbai. But there is more literary merit to this novel than just shock, and Levine has produced a compelling protagonist and engaging plot. Bartuk's writing and quick mind sometimes disguise her youth, but the reader is constantly reminded of her age by the series of euphemisms she has developed to refer to anatomy and sexual activity. The reader is intimately aware of the precariousness of Bartuk's situation, and one in which the reader is given no definitive ending. This seems appropriate, as Bartuk's life is so precarious, so too is her fate. This novel is not just a work of literature, it is also a call to action. Bartuk is only one of many, and the author makes clear his intention to donate proceeds to children's charities. Levine has crafted a moving and unforgettable character; her story is one that will not easily be forgotten.

James Levine, The Blue Notebook (Spiegel & Grau, 2009) ISBN: 038552871X

Review: Small Island

Small Island tells the tale of two couples, one English, one Jamaican, whose lives interweave in surprising ways during and in the years following WWII. Queenie and Bernard Bligh are Londoners; Queenie is left behind when Bernard leaves to fight in India. Gilbert and Hortense Joseph are Jamaican. Gilbert comes to England to fight with the RAF, and in Gilbert prim and proper Hortense sees a ticket to the life in England of which she's dreamed. Fate first brings the two couples together, but this chance meeting cements their lives forever. Levy's novel switches among its four main characters in a series of chapters that span three continents. We hear from Queenie, Bernard, Gilbert, and Hortense. All of the characters find themselves dealing with the effects of war: Bernard and Gilbert as soldiers, Queenie in the midst of the London bombings and possible widowhood when Bernard disappears. For Hortense wartime cements her desire to create an English life and identity. But war also brings significant lessons on racism, empire, and what it means to live on a "small island," whether British or Jamaican. Levy does a good job portraying the horrors and deprivations of war. She moves easily among four very different characters, in different places. This is an accomplished saga of two families and their wartime experiences.

Andrea Levy, Small Island (Picador, 2004) ISBN: 0755325656

Orange Prize, 2004

Review: Dancing Girls

In this short story collection Atwood explores the mindset of women in a variety of situations. From an isolated grad student to an expectant mother, to a severely disabled girl at summer camp, these stories find women in deceptively ordinary situations, each with a slight twist. This collection is comprised of stories written early in Atwood's career, and that is clearly reflected in the details. Several stories focus on academic environments, with graduate student characters. The protagonist in the collection's namesake, "Dancing Girls," a Canadian graduate student in Cambridge, certainly brings to mind Atwood's own time at Harvard. Together this collection explores the expectations that follow young women in the late-1970s: sometimes restrictive, sometimes depressing, always present.

Margaret Atwood, Dancing Girls, (Bantam, 1985) ISBN: 0553341154

Review: Outcasts United

Clarkston, Georgia: an Atlanta suburb, and a resettlement community for thousands of refugees from some of the most war-torn parts of the world. Outcasts United is the story of a youth soccer team (three teams, really) comprised of Clarkston's newest young residents. The teams, the Fugees, face nearly insurmountable odds. The players and their families have found themselves torn from home, in a foreign environment, with few resources. Backbreaking work schedules, few resources, and shell shock all haunt the resettled families of Clarkston. But many of the children from these families share a love of soccer. Under the direction of a dedicated coach, Luma Mufleh, a Jordanian woman looking to find her niche in the United States, the Fugees create a team, against seemingly insurmountable odds. The Fugees lack equipment and practice space, they also face significant opposition from the longtime residents of Clarkston, including the mayor and city council. Clarkston is clearly a town in transition, and one that is having a hard time handling that transition. In telling the story of Clarkston and the Fugees, St. John has crafted an engaging narrative that wraps hope and seeming hopelessness into a story in which its nearly impossible to not root for the kids. Throughout the book St. John remains sympathetic to all of the parties in the book. It's easy to cheer on the kids; the longtime residents of Clarkston are less sympathetic. Still, St. John does an admirable job of trying to understand the myriad of problems Clarkston's mayor, in particular, tries to manage as he deals with a growing population with diverse needs. This is a story about a community, but it is also important to note that this is a story about a soccer team too. For those who are not terribly interested in soccer (such as myself), I did find there to be quite a bit of discussion of the sport- the plays maneuvers used during the games. This I did not care for quite as much, and found myself thumbing forward a few pages for most of the in-depth discussions of game time. That said, there is still much here to interest the general reader of literary non-fiction. I was taken with the Fugees' story, and I am certain many other readers will be too.

Warren St. John, Outcasts United: A Refugee Team, an American Town (Spiegel and Grau, 2009) ISBN: 0385522037

Review: A Fine of 200 Francs

This is a series of stories about the men and women of the French resistance. Triolet secretly published this book during the war, and thus is not merely a chronicle of, but also part of the actual fight against Nazi occupation. Triolet tells stories of men and women who found themselves, either by choice or necessity, engaged with the resistance movement. Given the subject matter, it likely comes as no surprise that these are haunting stories. They are extremely atmospheric: cold, hunger, uncertainty, all are omnipresent in these tales, and are vividly presented to the reader. While these sensory experiences are so vivid, other things have been normalized. Some privations have been so normalized that they pass with minimal comment. Because this was published during wartime by the underground press there are elements of wartime culture Triolet never fully explains. While these must have been self-evident in 1944, they are not necessarily so in 2009. That said, this was a very interesting look at the day-to-day operations of the resistance movement.

Elsa Triolet, A Fine of 200 Francs (Virago, 1986) ISBN: 0140161341

Review: Generation X

This book was supposed to be the defining statement of a generation. That said, I enjoyed it less than some of Coupland's other work. This is the story of disaffected twenty-somethings who've found that life has little to offer them except escalating home prices, creeping commercialism, and what one can only describe as middle-class ennui. So, they escape to the desert, work minimum-wage jobs, and entertain one another telling stories. All of the stories highlight the emptiness that defines the characters' lives. I'm not entirely sure why I found this less fulfilling than other of Coupland's works. Perhaps it's because I was born at the tail end of Generation X, so these sentiments were hardly revolutionary to me. Perhaps the nearly twenty years that have passed since its first publication have seen the sentiments assimilated into mainstream culture (irony noted.) Whatever it is, I have enjoyed other of Coupland's works far more.

Douglas Coupland, Generation X (St. Martins, 1999) ISBN: 031205436X