Review: The Hound of the Baskervilles

This was my first Sherlock Holmes, and it very much lived up to my expectations. In this novel Holmes is called from London to consider the death of Charles Baskerville, apparantly by a crazed and superhuman dog. Reports have come from the manor of a ghostly, dog-like creature that haunts the hills. When Charles's heir arrives to take up residence at Baskerville Hall, Holmes is convinced that the young Baskerville's life is in danger. Watson takes up residence at Baskerville Hall to watch out for Henry Baskerville's safety. When Watson notices strange things happening in the moors, the reader starts to wonder if, in fact, there is something supernatural haunting the moors.

The Hound of the Baskervilles is certainly an engaging read. I stayed up late to finish it, and I can imagine that reading it in serials would create great anticipation for the next installment.

The one shortfall I found was in my ability to visualize the scenery. I'm not entirely familiar with Dartmoor, and it was difficult sometimes to understand the placement of Baskerville Hall and the surrounding terrain. That's not entirely Doyle's fault, and I certainly did get the sense that the countryside was hilly and desolate.

Sir Arthur Conan Doyle, The Hound of the Baskervilles (Wordsworth, 1999, orig. 1902) ISBN: 1840224002

Review: Marcella

This book is a Victorian family saga, focused on a family estate, a spurned lover, and a devious villain. Marcella Boyce is young, bright, and taken with socialism. When her parents inherit the family estate in the country Marcella takes up the miserable conditions of the local workforce as her cause. She falls in love with the local favorite son, a Conservative, vying for a seat in Parliament. Socialist Marcella must discover if she can live with a man with different politics, and her feelings on the issue threaten to damage a number of lives.

Marcella shares many of the conventions of the late-Victorian novel. The lead character is intellectually inclined and socially-minded, but her gender ensures that her attention to socio-political issues will either make her look foolish or lead to her demise. The late-Victorian countryside offers no real place for a politically active woman. Ward also gives the reader a strong sense that the best thing for Marcella would be marriage, though Marcella is generally unable to see this for herself. The single woman's folly is readily apparent.

Ward offers a complicated plot and interesting characterizations. That said, I had to pace myself in reading this rather long novel, as Ward is entirely conventional in her treatment of women like Marcella Boyce, and I find Victorian characterizations of women so pat. Oddly enough, I find that to be especially true of books written by Victorian women. It's clear that authors like Mrs. Humphrey Ward were looking for an outlet for intelligent women, but they were still too limited by Victorian gender conventions to be able to revolutionary change in their literature.

Mrs. Humphrey Ward, Marcella (Penguin, 1985, orig. 1894) ISBN: 0140161031, 560 p.

Review: Fannie's Last Supper

Chris Kimball decided that it was a good idea to try and recreate a twelve-course Victorian dinner party. He devoted several years of his life to this project, and this book is the story of how he did it. As his manual Kimball took the most popular of late-nineteenth century cookbooks, The Fannie Farmer Cookbook. And the meal is quite a production: multi-tier jellies, complicated fried artichokes, old world punch. Many of the dishes are also disgusting to the modern palate: brain balls in soup, gelatin made out of calves' hooves. Readers should be aware that the description of some of these dishes is truly disgusting, but in a train-wreck-can't-look-away way. To add to the "authenticity" of the meal, Kimball chose to create the meal on a Victorian-era coal stove, a practice which caused its own problems, including impossible temperature regulation, and a kitchen so warm that one of the chef's pants melted.

The book intersperses the history of Farmer and Victorian cooking with Kimball's own efforts to recreate a Victorian meal. Each chapter is organized around one of the courses, but the historical information often bears little relevance to the particular course at hand. Some chapters are better at establishing this relevancy than others.

More of an issue for me was the fact that I just could not get into the purpose of this project. I couldn't help but thinking throughout that this was a lot of money wasted for no particular purpose. Kimball produced a PBS documentary on his Victorian dinner as well, and I have to wonder if this was a project better suited to film than to a book. I'll probably seek out the documentary. Perhaps that will change my impression that this project marks a case of privileged foodies getting together to play Victorian gentry.

Chris Kimball, Fannie's Last Supper: Re-Creating One Amazing Meal from Fannie Farmer's 1896 Cookbook (Hyperion, 2010) ISBN: 1401323227

Review: Lady Audley's Secret

This is a delightful Victorian Gothic novel, full of suspense and intrigue. Braddon's book has all of the elements of a good Victorian suspense tale: a country estate inhabited by the landed gentry, a pining lover, and a Victorian lady who is not what she seems.

George Talboys arrives home from Australia to discover his wife has died. Robert Audley, seeing his friend mad with grief, brings George to Audley Court, his uncle's country estate. It is at Audley Court that Talboys mysteriously vanishes. As Robert investigates his friend's disappearance, it becomes clear that the prime suspect is the lady of the court, Robert's new aunt, Lady Audley. Beautiful and child-like, the fact that Lady Audley may be a cold-blooded murderer adds a particularly horrifying twist for a Victorian readership.

Anyone who thinks that the Victorians couldn't produce a page-turner should have a look at this book. Braddon effectively creates a dark and suspenseful atmosphere. While she relies on particularly Victorian conventions to do this, such as stressing Lady Audley's hyper-femininity, the result is still sufficiently gripping, even for the modern reader.

Mary Braddon, Lady Audley's Secret (Virago, 1987, orig. 1862)

Review: The Beth Book

This novel is really a manifesto, decrying the terrible injustices suffered by late-Victorian women. The book follows the life of Beth Caldwell, a woman of intelligence and literary talent, who is denied education and opportunity. All of the Caldwell family resources are invested in Beth's brother, Jim, and her life is full of injustice. After losing her father in childhood, Beth and her family move from Ireland to Yorkshire, where the family falls into poverty. Still, all resources are funneled into Beth's arrogant and feckless brother. There is little love in young Beth's life: her father is dead, her mother finds Beth aggravating. To escape Beth marries early, a man who turns out to be a lout. Beth's husband relishes using all of the privileges that law and custom afford him over women, and his despicable character is quickly uncovered. Originally published in 1897, this books is meant to be a fictionalized account of Grand's life, and she shares the Irish and Yorkshire origins of her heroine, as well as the unhappy marriage, and the limits of Victorian womanhood. The truly terrible strictures that bound late-nineteenth century women are evident throughout this book. Grand is certainly not the only one to write of these issues, and she is hardly the most subtle. Grand clearly writes from anger and exasperation, but her prose retains literary merit.

Sarah Grand, The Beth Book (Dial, 1981) ISBN: 0803705522, 528 pages

Victorian Challenge Wrap-Up

It's official! I completed the Victorian Challenge! I read four books, two written during the Victorian period, one during the Edwardian period, and one in the 1940s. My final list was:

Charlotte Yonge, The Clever Woman of the Family
Flora Thompson, Lark Rise to Candleford
Charles Dickens, Oliver Twist
Vita Sackville-West, All Passion Spent

It was important to me that at least some of the book I read were actually written in the 19th century. Victorian literature has always daunted me, so tackling some of it at the source was a significant reason why I undertook this challenge. My favorite book of the challenge was Oliver Twist. I didn't find any of these books unpalatable, but my least favorite was likely Lark Rise to Candleford. Looking at my choices, it's perhaps a bit unfair of me to pick favorites. Oliver Twist is by most critics' assessments a work of great literature, and Lark Rise to Candleford makes no pretences to literary greatness. It's a very descriptive book, in modern parlance we might call it 'cozy.' The greatest surprise of the challenge was how easy I found it to engage Dickens. I had always been daunted by his works. This is the first I read seriously as an adult, and I found it a very rewarding experience. I will likely dig deeper into his canon. The least Victorian of these selections was All Passion Spent. I selected it based on the back cover synopsis, which suggested that the book was entirely about the Victorian period. As it turns out, it's about half and half. Overall, this has been a very rewarding challenge experience. If it happens again next year I will surely participate, and my goal will be to select and read only books written during Victoria's reign.

Review: All Passion Spent

Lady Slane spent her entire life as a politician's wife, raising six children. In the wake of her husband's death she finally has time and space to attend to her own desires. At age eighty-eight Lady Slane chooses to move to her own home, and surround herself with persons of her own choosing. And what Lady Slane chooses to do is to reminisce about her life, from her marriage in 1860 to the present day. Lady Slane's children presume that their mother has descended into madness, but she holds her ground, refusing to become the doddering widow her children expect. In this novel we learn Lady Slane's history: her thwarted dreams of becoming an artist, her love for her husband, and the restrictions incumbent on Victorian political wives. The book culminates as Lady Slane faces an awakening of unexpected passion. This is a dark and contemplative novel, though there are elements of comedy as well. The Slane children all fit into comic stereotypes, and perform their allotted roles to the point of ridiculousness. These comic elements are necessary, they allow Lady Slane to be sensible, rather than cruel, in cutting herself off from her children at the end of her life. Lady Slane's long life spans the Victorian and Edwardian periods, and if the hallmark of the Victorian era was change, than Lady Slane is certainly a good model thereof. She lived through modernization, the growth of empire, and in her reflections we see the long span of her life.

Vita Sackville-West, All Passion Spent (The Dial Press, 1984) ISBN: 0385279760

Review: Oliver Twist

I've always been intimidated by Dickens, having heard so much about his legendary wordiness and trenchant prose. This was my first attempt to seriously read Dickens, and I was pleasantly surprised at just how readable this book is. I did notice Dickens's wordiness for approximately the first two pages, but after that I was drawn into the story. I was also pleasantly surprised to discover that Dickens writes with a witty sarcasm- so much for the humorless Victorians. The story of a desperately poor orphan, Oliver Twist offers a deep and complex plot, and plenty of emotional engagement. It's hard not to feel sympathy for suffering young Oliver who, by his own admission, "hasn't a friend in the world." This novel is a book about morality, and is clearly a work of social criticism. Dickens reserves his criticism not for the wealthy, who might seem the obvious target, but for social strivers. Those attempting to raise their social standing, such as the sycophantic Bumble, and the criminal miser Fagin receive the sharpest pricks of Dickens's pen. The truly wealthy are the kindest characters in the book; they are the ones who rescue Oliver and show him true kindness. Dickens kept my attention throughout this novel, I will definitely be exploring more of his canon.

Charles Dickens, Oliver Twist (Wordsworth Classics, 1997) ISBN: 1853260126

Review: Lark Rise to Candleford

Written in the 1940s, this semi-fictional account of the Oxfordshire villages Lark Rise and Candleford looks back at the 1880s, a time of transition in the English countryside. Work, social relationships, home life, schooling- all of these things changed in the last years of the 19th c. Thompson examines these changes through the story of Laura, a girl who comes of age in the 1880s and 90s. But truly, in this work Laura's story takes a back seat to description. Thompson is clearly using this book to capture a lost world, and the book includes whole chapters describing the countryside and the traditions of its people. The writing is almost anthropological. While the description is interesting, and it is a very easy read, I found myself longing for more plot, more discussion of what happened to Laura. I also found that the book seemed to romanticize what must have been, by all accounts, grinding poverty. That said, the descriptions Thompson offers are engaging and vibrant, and the book is a quick, and dare I say, relaxing, read.

Flora Thompson, Lark Rise to Candleford (Crown, 1984) ISBN: 0140074546

Review: The Clever Woman of the Family

This book has many of the elements of a classic Victorian novel. There's the long-suffering, nearly saintly invalid. There's a helpless widow, and there's a buffoonish curate. And most importantly, there's an independent-leaning woman whose spunk and desire for knowledge make her foolish. In Yonge's novel we enter the world of Rachel Curtis, the so-named "clever woman," who loves to read the latest tract on educational theory, and hopes some day to put them into practice for the benefit of local youth. But Rachel is also a provincial daughter, and there are few opportunities for an independent and knowledge-hungry woman in the provinces in 1865. Rachel disagrees strongly with women acting flighty and foolish for the benefit of suitors or the clergy. What Rachel values is substance, but she finds little of it in her provincial surroundings. Those around Rachel see her as arrogant and foolish. When Rachel is finally given the opportunity to put her theories into practice, the consequences are more devastating and far-reaching than anyone could have imagined. As I began this book I presumed it was a comedy of manners, but as I got deeper in, I discovered that the book is more than that. The themes are much darker, and consequences more surprising than that. Yonge has drawn some compelling characters in this novel, but there were parts of this story that fell flat. Rachel's mother is the fussiest of Victorian ladies, and we see just how limited that lives of Victorian women like Rachel were. Rachel's ultimate fate will likely not surprise most modern readers, but getting there takes twists and turns I certainly wasn't expecting.

Charlotte M. Yonge, The Clever Woman of the Family (Penguin, orig. pub. 1865, 1986) ISBN: 014016149X

The Victorian Challenge

I've decided to join up with the Victorian Challenge, as I really need to read more Victorian literature. Between Jan. 1 and June 30 I have to read books written during, set in, or about the Victorian era. I can choose my own level, and right now, given all the other challenges I have going, I think I'm going for "A Walk in Hyde Park" which involves reading four books. Right now I'm planning:

Red Pottage by Mary Cholmondeley (1899)
My Brilliant Career by Miles Franklin (1901)
Wuthering Heights by Emily Bronte (1847)
Fingersmith by Sarah Waters

Hopefully this will get some more Victoriana under my belt, though I recognize that books 1 and 2 just barely make the cut!